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作为混音工程师，平移是我们最强大的工具之一，但由于我们必须为多种环境（耳机、扬声器等）创建混音，我们必须知道如何平移乐器，同时在所有这些播放系统上仍保持自然的声音。你有没有注意到把乐器移到一边在扬声器上听起来不错，但在耳机上会伤到你的大脑？这是因为在现实生活中，只有一只耳朵才能听到声音，除非它来自你的耳朵（比如耳机）。
Panning is one of our most powerful tools as mixing engineers, but due to the fact that we have to create our mixes for multiple environments (headphones, speakers, etc) we are bound by how we can pan our instruments while still sounding natural on all of these playback systems. Have you ever noticed that panning an instrument to one side sounds fine on loudspeakers but hurts your brain on headphones? This is because in real life, no sound goes into just one ear unless it’s coming from your ear (like headphones).
Mongoose fixes this problem by summing low frequencies to mono so that no matter how far you pan your instruments, they will sound equally natural on both headphones and speakers.
Mongoose通过将低频和单声道相加来解决这个问题，这样无论你将乐器摇动多远，它们在耳机和扬声器上的声音都会同样自然。
Mongoose—Just the Facts:
Mongoose只是事实：
• Sums low-frequencies to mono with adjustable crossover.
•通过可调分频将低频与单声道相加。
• Very low CPU impact.
•非常低的CPU影响。
• Focus and tighten low end while ensuring mix translation.
•关注并收紧低端，同时确保混音翻译。
• Create contrast with high-frequency widening.
•与高频加宽形成对比。
• Sculpt the width and depth of a mix.
•塑造混合料的宽度和深度。
• No phase issues when summing to mono.
•与单声道求和时无相位问题。
Take on Mongoose
对付猫鼬
Keep in mind that our job as mixers is essentially the same as that of a magician: to create a satisfying illusion in the mind of the audience. So while left and right is all we have in stereo, mono bass summing focuses the center image while creating the illusion of greater space in the stereo field, which in turn simplifies the mixing process. Mongoose makes it easy to achieve a focused and punchy center image with as much width on the sides as you like.
请记住，我们作为混音师的工作本质上与魔术师的工作相同：在观众的脑海中创造一个令人满意的幻觉。因此，虽然立体声中只有左右声道，但单低音相加会聚焦中心图像，同时在立体声场中产生更大空间的错觉，从而简化混合过程。Mongoose可以很容易地获得一个焦点集中、中心突出的图像，侧面的宽度可以根据您的喜好而定。
